As a River for the Holidays

Me and Margaret Atwood hanging out in the entry of the Red Wheelbarrow in Paris.

It’s been 3 months since my debut novel came out and what a whirlwind!

Signing at the Paris launch party. (You’ll notice by all those wine glasses we were prepared for success. And it was! Full house and sold out!)

I had a fantastic little self-created tour. Only 5 events, but that’s just about all this introvert could handle. Launched in Paris and finished with a bang in New York with some great stops in Stockbridge, MA and Philly in between. Had some ups and downs but largely huge ups. Saw old friends and made new ones everywhere.

WHAT. MEMORIES.

Culminating event at Brooklyn’s Books are Magic with some literary superstars. Left to right: Michele Filgate, Kristen Arnett, Briallen Hopper, Angie Cruz, Elizabet Velasquez & me!

And literally the day after I returned to Valencia…I got a new job out of the blue and started work a few days later. I’m now teaching English exam prep classes at a university and it is INTENSE. I still haven’t caught up – and it’s mid-term exam time! – so I simply have not had the time to post here.

Reading at Shakespeare & Company…the one in Philadelphia! Someone told me I looked glamorous in this shot. I was reading to 3 people in the audience. WONDERFUL people. But yeah. Glamorous feels a reach 😉

But, I hope I may sate you with some photos and many THANK YOUs to everyone who has been so kind to my book baby since it’s entered the world. I’ve been so heartened by the generous response…and the lovely reviews…and the numerous interviews! (Feel free to check out the list on my website!)

Honestly nothing will ever compare with seeing my book in a beautiful bookshop right next to a novel by my literary hero, James Baldwin!

And speaking of lists, AS A RIVER is on a Holiday Book Recommendation list from Read Her Like An Open Book! I’m sandwiched between some of this year’s biggest titles (Melissa Rivera’s THE AFFAIRS OF THE FALCONS and Tea Obreht’s INLAND). Swoon! My novel has certainly not made any other list, but I’m quite content that the book is continuing to spread its wings and fly. I think of it as the little small press book that could 😉

And I’m apparently very animated when I talk about it! Here’s a picture from the New York launch. Maybe I’m talking about the book sandwich!

In case you’re still looking for holiday gifts, books are *always* a good idea. I’d be thrilled if you considered giving AS A RIVER to your loved ones.

You can buy it on Indiebound, Amazon, Barnes & Noble, Book Depository – or ask your local bookseller to order it for you! It’s available as a paperback or an ebook!

Thanks to my friend Jennifer Geraghty for this lovely photo. One of my favorite parts of this process is people sending me creative photos of them receiving the book!

I’ll admit that the holidays have not really been on my mind. December has completely crept up on me! I can’t believe we’re starting a new decade soon! Oh my, what do we have in store?

I have some ideas brewing, but that will have to wait until after grading.

The only holiday party I’ve been to so far, but I did don the reindeer antlers and make the most of it.

Still, it’s quite something to stop and take stock of how interesting life continues to be…and how change can still arrive in a moment.

Sending you warm wishes as we wind down the year. I’ll be waiting for the winter solstice and welcoming the light that will start returning a little more each day after.

In front of the Red Wheelbarrow Bookstore in Paris

[Thanks to the kind reader who just let me know I didn’t even link to my book in this post! HA! Thank you, Catt!]

Here are the purchase links for AS A RIVER again for good measure:
Indiebound, Amazon, Barnes & Noble, Book Depository

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Novel News + Goodreads Giveaway!

Friends! We’re in the dog days of summer and I have several items of hot news to share. I’d hoped to chronicle the publication process of my debut novel As a River here and/or in my newsletter, but it’s all been a whirlwind.

So let’s jump straight to this moment:

Do I look really happy? Are there also tears in my eyes? Yes on both counts!

This photo was taken right after I opened a package and held my book for the first time. I grinned wide – then immediately burst out crying.

As you all know, it’s been *such* a long journey. To finally hold my book, to see that it was real…well, there’s simply no overstating how moving it was. It’s been a dream since I was a child.

There have been a dizzying amount of steps to get here. I have friends who have been through this before so I knew some of what to expect. But just because you’ve heard about what it’s like doesn’t mean actually experiencing it isn’t still a doozy.

There’s much to fill you in on – like this stunning review that literally made me gasp. Or having one of my favorite authors – who I did not know before! – say this:

Reader, I put that quote on my front cover. (And reader, this amazing author, Rene Denfeld, also has a new book coming out in October. The Butterfly Girl. Get it!)

My book, As a River, officially comes out on September 3.

But friends, I have a chance for you to get your hands on an early copy before then!

Advance Reader Copies (ARC) are free copies publishers make of their forthcoming titles before publication to send to potential reviewers, media outlets, booksellers, etc, to try to get the book on the radar screen. Many venues need the book at least 3 to 6 months before the pub date to consider it for coverage.

So, the past several months we’ve been busy approaching different people and venues to see if they might like an ARC to hopefully drum up some press. I still have a few ARCs remaining and I would like to give them to you!

Just click on the link to enter a Goodreads giveaway to win an ARC. (US entries only. Sorry sibling international folks! But I have more opportunities for you below!)

The ARC has a different blurb on the front than what will be on the final (Rene wrote that blurb after reading the ARC!! So now I get to put her words on the final version. See how it works?)

The ARC also has a different author photo and description on the back. And a few minor changes inside. (You can read your book ONE TRILLION TIMES and you still find mistakes and things you want to change!) But the story is the same. It’s your chance to get an early peek!

These are the two photos I was going back and forth between. Do I want to look warm and approachable or soulful and contemplative? I am all of those things!

The Goodreads giveaway runs until August 17. I hope you enter! And if for whatever reason you don’t want to (though who doesn’t want a free book?) it’s still really helpful to put my book on your “want to read” shelf. This helps with visibility on the site so more people will see it. I’m with a small press so we don’t have the same level of resources as big publishers. Word of mouth and organic community support is what makes a title like mine rise. I would love your help!

A photo of a beautiful bookshop here in Valencia, Libreria Ramon Llull. Posting it here to break up this long string of text and because it’s pretty!

But wait! There’s more!

After the Goodreads giveaway, I will randomly select a subscriber to my newsletter to win another copy on August 20. So, you might want to sign up there, too! (If you’re already signed up, you’ll automatically be entered). The winner can be based anywhere for that one. No borders! I love you all!

This is turning into an epic update. Thank you for sticking with it!

Before I go, I want to give you the dates for a few events in case you’re in any of these areas. I would love to see/meet you!

Can you guess? I’ll launch my book in Paris. September 12 at the lovely new incarnation of The Red Wheelbarrow Bookshop in front of the Luxumbourg Gardens. Swoon!

Then I’ll head to the US. Yes, I’ll be flying Stateside!
Anyone near New York, Philadelphia, or the Berkshires, come on out!

More soon, friends.

For now, don’t forget to click over to Goodreads to enter the giveaway or put my book on your shelf.

And feel free to sign up for my newsletter for a second chance to win.

Bisous, besos, kisses!

“In Another Life” – Author Interview with Julie Christine Johnson (+ GIVEAWAY!)

Historian Lia Carrer has finally decided to return to southwestern France to rebuild her life after her husband’s death. But instead of finding solace in the rural hills and medieval ruins, she becomes entangled in the echoes of an ancient murder and falls for a man whose very existence challenges all she knows.

Told in dual past and present narration – early 13th-century and today – In Another Life is a literary page turner that explores love, loss, and the ghosts that never let us go. The debut novel, released in February from Sourcebooks Landmark, has received much praise, including a starred review from Library Journal.

I am so excited to welcome Julie Christine Johnson, author of In Another Life, to the blog – and to offer a free giveaway of her book! It’s always a thrill to get caught up in a good novel. Even more so when it’s written by a cherished friend.

Julie and I “met” in an online writer’s group; we’ve never met face to face. Yet her warmth and wisdom were immediately evident in her thoughtful messages, in her lyrical ruminations on her blog Chalk the Sun. We formed a rapport that has only grown deeper. And I confess to finding myself choked up when I finished her book – for the feat that she had accomplished creating such a rich story. And to find my name in the acknowledgments! I am truly in awe and so grateful to have such intelligent, generous people in my life – and to be thought of as a writing peer.

Author Julie Christine Johnson

Julie’s short stories and essays have appeared in several journals, including Emerge Literary Journal, Mud Season Review, Cirque: A Literary Journal of the North Pacific Rim, Cobalt, River Poets Journal, in the print anthologies Stories for Sendai, Up, Do: Flash Fiction by Women Writers, and Three Minus One: Stories of Love and Loss, as well as being featured on the flash fiction podcast No Extra Words. She leads writing workshops and seminars and offers story/developmental editing and writer coaching services. A hiker, yogi, and wine geek, Julie makes her home on the Olympic Peninsula of northwest Washington state.

Without further ado, here’s my interview with Julie. Details on the giveaway at the end of the post!

In Another Life is set in France’s Languedoc region (with a foray into Paris, too!). Your lyrical prose delights in lush descriptions and details – we see the landscape clearly through your word paintings, can almost taste the food and wine (your previous job as a wine buyer must have aided in the latter, I assume!) I know you have a long history with France – your undergraduate degree is in French and you have had extended stays in l’Hexagone for over a quarter century. What draws you so deeply to this country? Did it feel natural to have your first book bloom from your connection? Why here, in other words?

Minerve

Why France, indeed? I had to sit with this question a bit. Yes, I’ve been enthralled with France for nearly thirty years, since deciding to become a French major—even before I spent a year at the University of Chambèry as a college senior. But why? What began this love affair with a place, a culture, a people?

It started with the language. I enrolled in French as a college freshman to fulfill general requirements and by the end of the first quarter, something had opened up inside me. For me, learning a language went beyond syntax and grammar; it transformed the formation of my thoughts. Articulating in French changed my relationship to the learning process by tapping into an active creativity I didn’t realize I possessed.

‘Landfalls’ by Naomi J. Williams: Author Interview (+ GIVEAWAY!)

I first encountered Naomi Williams’ work when I ran across her essay “Routine? What Routine?” on the blog of her publisher, FSG. In that essay, she copped to a writing schedule that struck me as thrillingly refreshing – she has none.

The prevailing wisdom is that one must write every day. Of course, if one can manage it, that would be a rather enviable routine. But not everyone is wired to follow such dictates (though I *do* look forward to weekly writing dates through my new venture WIP).

I found her admission of a haphazard process – “Every morning I wake up and make it up as if I’ve never done it before” – strangely reassuring. Yes. My. How I relate.

I soon started reading her blog, which proved just as delightful and fresh, dotted with humorous anecdotes and sparkling with breezy smarts. Then I discovered her debut novel came out in early August; I knew I had to get my hands on it.

“Here’s a fair question,” she opens in a post explaining the book’s origins, “How does a middle-aged American woman with no experience at sea come to write a novel about 18th-century French mariners?”

Indeed. How does that happen? And what’s this about a French connection? A perfect excuse to reach out and ask if I could feature her on the blog. Happily she agreed!

Landfalls takes the Lapérouse expedition – a real voyage that left Brest in 1785 with high hopes of circumnavigating the globe before vanishing – and brings the story to vivid fictional life. It is, quite simply, one of the best books I’ve had the pleasure of reading in a very long time.

Warm, witty, humane, moving, it is a remarkable novel – one that had me chuckling in some places, crying in others, and all the while shaking my head and marveling at the author’s deft, delicate touch. I sailed through its pages – the prose so elegant! so skilled! – and immediately returned to the beginning of the book with a desire to reread it as soon as I had finished. I can’t remember the last time I did that.

Naomi J. Williams was born in Japan and spoke no English until she was six years old. Her short fiction has appeared in journals such as A Public Space, One Story, The Southern Review, and The Gettysburg Review. In 2009, she received a Pushcart Prize and a Best American Honorable Mention. Naomi has an MA in Creative Writing from UC Davis. Landfalls is her first novel.

I’m thrilled Naomi is here on the blog today. I’m also thrilled to have a free copy of Landfalls to send to one lucky reader. Giveaway details are at the end of the post.

* * * * * * * * * * * * * * * * *

I love the backstory of how you came to write Landfalls – a mislabeled vintage map gifted to you for your birthday led to your discovery of the Lapérouse expedition. That in turn sparked your idea to tell a bunch of stories each from a different place along the route and about a different crew member. What an ambitious plan! How does one go about approaching such a daunting task in the beginning – and staying with it?

I think a good dose of ignorant bravado might have been at work here. When I first came up with the idea, I thought it would take maybe two years to write. Ha! Then when I actually started it, I thought, okay, maybe it’s more like a five-year project. Wrong again. But in a way this project felt more doable than a “regular” novel with one setting, one narrative perspective, and one through-line. That seemed — still seems — quite daunting to me. I approached each chapter like a short story. Writing one short story didn’t seem impossible. Then after I’d finish one, I’d just start on the next. And I proceeded in that piecemeal fashion for the better part of a decade.

And about the map that started it all: It’s a map of Lituya Bay in Alaska, and it’s from an English-language atlas of the Lapérouse expedition, and yes, it’s a really weird map that suggests, more than anything else, the female reproductive system. If you want to read more about how I ended up with it and all of that, I tell that story in some detail at my blog.

Your exploration of each character’s inner landscape was as impressive and profound a world-building as the vast scope of the physical geography you covered. The richest portraits emerge – everyone from the ship’s captain to a Russian translator to an indigenous woman on the Solomon Islands and numerous others. Could you talk about the process of inhabiting so many different perspectives and places? Did you focus on one character at a time? Outline the links between the chapters?

I didn’t really outline links between chapters — not on paper or in any visible way, at least. With the result that most of the work of revising with my editor consisted of trying to make those links more visible, making the whole thing more novelistic and less like a collection of discrete stories that didn’t always talk to each other.

But about the characterization — usually in the research a sort of personality would emerge about the historical figures I was reimagining. There would be a letter or report or anecdote reported in a journal or something that suggested traits — fussiness, pretension, anxiety, optimism, etc. — that I’d then expand on.

I also ended up pouring a lot of myself into the characters. The uptight, meticulous scientist in the chapter set in Macao, a guy who feels put-upon and ill-served by life and everyone around him: there’s unfortunately quite a lot of me in that character. The more anxious the character, the easier I found him or her to inhabit. The commander, Lapérouse, was challenging, as he was by all accounts a really genial, even-keeled (no pun intended!) individual. Unflappability is not a quality I understand.

The real historical facts and the scenes you put on your fiction writer’s cap to create melded so seamlessly together. How did your extensive research incite/inform/intermingle with your imagination in bringing these stories alive?

The Pillow Project

David Barnes of Spoken Word Paris reading while a member of the Pillow Project riffs

Hello friends,

Here’s your helping of a random (art) happening around town.

This past Tuesday The Pillow Project paid a visit to Shakespeare & Co. The Pittsburgh-based troupe plays “freejazz,” an improvisational form they describe as “using the body as the instrument playing visual notes.”

The experimental group is starting to forge deeper ties to Paris. On hand for this week’s event were members of the city’s active spoken word scene.

For non-French speakers, there’s a lot of blood and torture in the text!

Passing Love

In 1999, after years of working in the corporate world, Jacqueline Luckett took a creative writing class on a dare.

She hasn’t looked back since.

Now the author of two novels and a core member of a writers group featured in O Magazine, Luckett is an inspiration for those wondering about the possibilities of their lives. “I’ve finally begun to understand that it doesn’t matter how long it takes to get around to fulfilling your dream,” she writes in a blog post discussing her love of Paris and writing, “just as long as we have them and try our best to fulfill them.”

Both of Luckett’s novels – Searching for Tina Turner and this year’s Passing Love – center on women seeking a change. I think you’ll agree that Luckett proves it’s never too late to chase what you want – and that it’s the journey that counts.

Thanks so much to Jackie for coming on the blog today.

Your protagonist, Nicole, dreamed about Paris since the time she was a little girl, yet doesn’t make it to the city until she’s in her mid-50s. For you, what is it about Paris that inspires people to dream? And why were you drawn to set the novel here?

I’ve been in love with Paris for a long time, yet I never pushed myself to visit. I wasn’t adventurous in my twenties and I kept waiting for someone to go with me. That’s partly the basis for Nicole’s failure to fulfill her promise. But she served the old adage—“Better late than never”—quite well.

My mother told me after reading Passing Love, that she always thought I was a natural dreamer and drama queen. Though I’ve never thought of myself that way, Paris inspires me to express what my mother seems to have known all along. Why not?! I love the anonymity I have when I’m in Paris. No one cares what I do, what I wear, or what I look like, and I feel a freedom that’s different from when I’m at home in California.

For Americans, particularly those of us on the West Coast, Paris with its old buildings, its streets cobbled with stones that have been there for decades, if not centuries, is very different from where we live. Sure, there are old buildings in the United States, but in California they don’t date much before the 19th Century. So we’re in awe of what we see in Paris. Movies, books and photographs have fed our curiosity and set our expectations about Paris. So much so that I think we go there prepared to do and be different from our everyday selves.

We gawk at the towering peaks of Notre Dame and wonder about The Hunchback. If it’s raining, we conjure up Gene Kelly dancing in the rain. Or Paul Newman and Sidney Poitier playing jazz in Paris nightclubs. We let our imaginations run free as we wander about the city admiring the fashions, eating the food, listening to French and wishing we’d paid more attention to our high school French teachers.

Because Paris is so culturally different than U.S. cities, it spurs new thoughts and behaviors. It sparks our imaginations because our senses are constantly presented with new images, sounds, and smells: rose petals scattered on a florist’s floor, an afternoon of people-watching and sipping espresso at an outdoor café—especially if it’s a café as well-known as Café Aux Deux Magots. There we imagine what life must have been like for the American authors who sat in those caned chairs writing novels and poetry.

In Passing Love, I wanted to write a story about women who challenged themselves to step beyond ordinary. Sure, this could have happened in any other city. Truthfully, because of my affection for (and emotional connection to) Paris, it was the logical place for my characters to be.

Soaking up Sunshine; Stocking up on Books

Lazing around Le Square du Vert-Galant

Pont Neuf Bridge

Luxembourg Gardens

Spring. Is. Amazing.

It makes me want to dance!

Books, Glorious Books!

Sunday was one of my favorite semi-annual events in Paris: the English-language used book sale!

Twice a year SOS Help holds a 4-hour extravaganza where eager Anglophones come to stock up on new (to them) reads.

I like that the money goes toward a good cause, but selfishly what I really like are the prices. All paperbacks go for 1 euro, hardcovers for 2.

Guess how many I picked up? 35!

My loot from the book sale

This was the limit of the cash in my wallet and the amount I could physically carry back with me on the metro. I always come equipped with a large bag to the sale, but what I really need is a rolling cart!

Strangers in Paris (Book + Launch Party!)

Well here’s the thing to get me back into Paris and the writing life.

I recently had a story published in a new anthology entitled “Strangers in Paris: New Writing from the City of Light.” The book features lots of great contributors (including John Berger and poet Alice Notley!).

I have no idea how the heck I ended up in such good company, but I’m thrilled!

The Paris launch of the book will be this coming Monday, July 25, at Shakespeare & Co. Ten or so contributors will be reading. I’m excited and nervous to be one of them.

In the Past Imperfect

For the second day in a row, I had a lovely writer double date. Yesterday I met up with Karin of An Alien Parisienne and Isabelle Solal at Buttes Chaumont, my favorite Paris park.

Topics of conversation were mainly about writing craft, though there was a fair bit of girly talk, too.

Isabelle recently took the plunge and put her debut novel directly onto Amazon’s Kindle Store. As I’ve been watching the current traditional vs self-publishing show-down with rapt attention, you better believe I’ll be following her journey. I’ll borrow any tips should I decide to go that route.

I’ve already learned from Isabelle that I don’t actually need a Kindle to read an ebook for Kindle. (Who knew?) You can download a copy to your computer.

I haven’t yet had a chance to read In the Past Imperfect, but if it’s as light and bright as Isa, it should be fun. It’s an updated take on Persuasion with a twist – and transported to France.