
The screening room at Studio 28. Photo courtesy of Lost in Frenchlation.
Friends!
I arrived in Paris, just in time for a heatwave and the last round of legislative voting.
I also finally made it to an event I’ve been invited to for well over a year.
Rarely do I make plans for the same day I land (jetlag, anyone?), but the evening’s opportunity was too good to pass up.

The garden tea room at Cinema Studio 28. Photo courtesy of Lost in Frenchlation.
Lost in Frenchlation has a simple mission: bring renowned French films to a broader audience by screening French films with English subtitles.

The Franco-Australian pair behind Lost in Frenchlation, Manon and Matt. Photo courtesy of Lost in Frenchlation.
When you think about it, the idea makes total sense. Film is such an important part of French culture and there are so many international folks in Paris. Unless you’re completely fluent, it can be difficult to follow a movie in your non-native tongue. Lost in Frenchlation allows easier access to current French films, as well as providing a convivial cocktail before or after for a full social night.

Events are held at Studio 28, the oldest screening room in Paris.
I was happy to get a chance to check out LIF, whose popularity has grown quickly. They were right about there being quite a market for their offerings! (Lost in Translation is currently nominated for “best reoccurring event in Paris” by Expatriates Magazine. The young organization had also just held their first event in London the previous night.)
I admit it was the specific film and event that had me particularly intrigued and gave me the energy to fight the fatigue upon my arrival to attend.
On Friday, June 16, the film on tap was Le Concours, a documentary about the strenuous entrance exam to La Fémis, one of the most prestigious film schools in the world. The director of the film, Claire Simon, was on hand afterward for a Q&A.
The film’s trailer, (only available in French – see why Lost in Frenchlation is needed?)
Le Concours was great – I could do a whole separate post about the movie itself! But needless to say it’s quite an experience to get a truly inside look at the highly competitive selection process of such an institution (A thousand candidates applied for 60 spots).
A clip from the film – *with* English subtitles!
The film lends itself to all kinds of juicy questions about art, subjectivity, inequality, and elitism. (Simon made a compelling remark in the Q&A about France “constantly recreating a gentry” – whoa, we could dig into that one for ages!).