It’s my absolute delight to interview Alexander Maksik today. His debut novel, You Deserve Nothing, is being heralded as “superb,” “beautifully written,” and a “bravura performance” by everyone from The New York Times to The Irish Examiner and The Sunday Times.
You Deserve Nothing was the first book published under Europa Books’ new imprint Tonga Books, and was acquired and edited by Alice Sebold, the bestselling author of The Lovely Bones. The novel is set in Paris at an international high school and Maksik’s own experience living in Paris for many years helped him evoke the city with a stunning seductiveness perfect for this story of power, idealism, and morality.
Maksik is a graduate of the Iowa Writers’ Workshop and is currently the Provost’s Postgraduate Writing Fellow in fiction at the University of Iowa. I’m thrilled he took the time to answer a few of my questions.
Paris has been written about so much by so many different people; it’s almost a symbol as much as a city. Why did you choose to set your first novel in Paris?
I can’t imagine the novel set in another city. While working on the book, I always imagined that Paris was to Will [the young English teacher in the book], what Will was to Gilad [one of Will’s students]. Paris is a disappointment to anyone who has lived there long enough. Not that it isn’t an extraordinary place, but in the end there will be disenchantment – because of its beauty, or perhaps its failure to manifest that beauty in one’s personal life. I don’t know another city that promises quite what Paris promises. There’s even a syndrome associated with that disappointment – Syndrome de Paris. To a large extent the novel addresses personal and collective mythologizing, and how much our individual decisions are motivated by a need to avoid the inevitable moment of sincere and profound loss. I think the question that the novel poses finally is what to do with disappointment. The sudden disappearance, not just of fulfillment, but the promise of fulfillment, is something we cannot prepare for and I wanted to explore that idea.
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